Chelsea Wolfe

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Songwriters

Chelsea Wolfe

Sleep paralysis plagues singer/songwriter Chelsea Wolfe, and that strange intersection of the conscious and the unconscious has inadvertently manifested itself within her work. Across the span of her first four albums, there is an underlying tension, a distorted and nebulous territory where dark shadows hover along the edges of the sublime and the graceful. But until now, Wolfe’s trials and tribulations with the boundaries between dreams and reality have only been a subconscious influence on her work. With her fifth album, Abyss, she deliberately confronts those boundaries and crafts a score to that realm she describes as the “hazy afterlife… an inverted thunderstorm… the dark backward… the abyss of time.”

Chelsea Wolfe’s material has always felt intensely private, from the almost voyeuristic bedroom-production aesthetic of her debut album The Grime and the Glow to the stark themes and atmospheres of 2013’s Pain Is Beauty. “Abyss is meant to have the feeling of when you’re dreaming, and you briefly wake up, but then fall back asleep into the same dream, diving quickly into your own subconscious,” says Wolfe. To conjure this in-between world, Wolfe continued her ongoing collaboration with multi-instrumentalist and co-writer Ben Chisholm and drummer Dylan Fujioka, with Ezra Buchla brought on board to play viola and Mike Sullivan (Russian Circles) enlisted to contribute guitar. The ensemble traveled to Dallas, TX to record with producer John Congleton (Swans, St. Vincent). In the back of her mind burned the words of designer Yohji Yamamoto: “Perfection is ugly. Somewhere in the things humans make, I want to see scars, failure, disorder, distortion.” The resulting eleven songs reflect that philosophy as they smolder with human frailty, intimacy, quiet passion, anxiety, and deep longing.

Abyss opens with the disorienting lurch of “Carrion Flowers”, where Wolfe weaves a hypnotic vocal melody over monotonic industrial thuds, much as an Indian raga is constructed around a lone note or swara. On “Iron Moon”, the band pushes for extremes in its loud-quiet-loud strategy, alternating between hushed balladry and gargantuan doom. On “Dragged Out”, glacial-paced fuzz riffs underscore Wolfe’s sultry verses, until a howling wail of distortion dominates the chorus. But there are certainly moments when the brutish elements are reigned in—“Maw” could serve as a lullaby and “Crazy Love” harkens back to the humble acoustic compositions of her Unknown Rooms album. But between them we have “After the Fall”, the centerpiece of the album, where the abrupt tonal shifts, descending chord progressions, and climactic vocals illustrate Wolfe’s fascination with Memories, Dreams, Reflections by Carl Jung. “I let myself drop,” begins one of Jung’s recollections of his dreams. “I was so struck by that visual: the drop into the abyss of one’s own mind, allowing yourself to feel things you’ve hidden away, bringing them front and center. That became the goal of this album,” says Wolfe. That surrender can be heard in the slowly escalating cacophony of “Survive”, the penultimate square-wave hum and yearning of “Color of Blood”, and the clamorous piano loop and disorienting arrangement of the closing title track.

“Sleep and dream issues have followed me my whole life,” remarks Wolfe as she revisits notes from the writing and recording sessions. In a way, these issues have become a part of Chelsea Wolfe’s identity, for whom the notion of sleep as an escape has been subverted. Abyss captures this dichotomy, this battle between the soothing and the upsetting, and demonstrates why Chelsea Wolfe has become one of the most intriguing songwriters of the decade.

Releases

Chelsea Wolfe Birth of Violence

The Mother Road
American Darkness
Birth of Violence
Deranged for Rock & Roll
Be All Things
Erde
When Anger Turns to Honey
Dirt Universe
Little Grave
Preface to a Dream Play
Highway
The Storm

Chelsea Wolfe Hiss Spun

Spun
16 Psyche
Vex
Strain
The Culling
Particle Flux
Twin Fawn
Offering
Static Hum
Welt
Two Spirit
Scrape

Chelsea Wolfe Hypnos / Flame

Hypnos
Flame
Grey Days (Demo) [Bonus Track]
Simple Death (Demo) [Bonus Track]
Survive (Demo) [Bonus Track]

Chelsea Wolfe Abyss

Carrion Flowers
Iron Moon
Dragged Out
Maw
Grey Days
After the Fall
Crazy Love
Simple Death
Survive
Color of Blood
The Abyss

Chelsea Wolfe Pain Is Beauty

Feral Love
We Hit a Wall
House of Metal
The Warden
Destruction Makes the World Burn Brighter
Sick
Kings
Reins
Ancestors, The Ancients
They'll Clap When You're Gone
The Waves Have Come
Lone

Chelsea Wolfe Prayer For The Unborn

A Handful of Dust
Echo
Black on Gold
Dissolution Rehearsal For Mortality
Prayer For The Unborn

Chelsea Wolfe Unknown Rooms: A Collection Of Acoustic Songs

Flatlands
The Way We Used To
Spinning Centers
Appalachia
I Died With You
Boyfriend
Our Work Was Good
Hyper Oz
Sunstorm
Virginia Woolf Underwater
Gold

Chelsea Wolfe Apokalypsis

Primal/Carnal
Mer
Tracks (Tall Bodies)
Demons
Movie Screen
The Wasteland
Moses
Friedrichshain
Pale On Pale
To The Forest, Towards The Sea

Chelsea Wolfe The Grime And The Glow

Advice & Vices
Cousins Of The Antichrist
Moses
Deep Talks
Fang
Benjamin
The Whys
Noorus
Gene Wilder
Halfsleeper
Bounce House Demons
Sirenum Scopuli
Widow